Mercy Lane (1937)

The Book

It is a combination of simple love story and a study in the mechanisms of gossip, set in the fictional town of Anderden in Kent in the year 1931, the beginning of the Ramsay Macdonald National Government and a time of economic hardship. A stranger arrives and gives his name as William Foray. He is writing a book on architecture and intends to settle in the vicinity. He takes lodgings with the family of Ernest Shepard, clerk at Salter's timberyard. He gets acquainted with Margaret Salter, the daughter of the owner of the timberyard, and they explore local architectural attractions.

We are always being made aware that Foray is holding back a secret. He is recognised by Hugh Lancefield, a local wastrel. Lancefield tries to borrow money from him, and is later found dead in suspicious circumstances. Foray has to deal with the suspicion and hostility of the local community, and his budding romance with Margaret is threatened, even after he is exonerated.

Publishing History

This book was the second of the six that Canning wrote as "Alan Gould". It was published by Collins in 1937. The first edition is extremely hard to find.

Canning was living in Benenden in Kent when he wrote the book. The town of Anderden is probably based on Faversham, a market town of roughly the right size and location, though Canning has changed some details to fit the story.

Reviews

Review by Harold Brighouse, Guardian, 23 March 1937.

Mercy Lane has good steersmanship. Often the rocks of sentimentality are sighted and always Mr. Gould avoids them in a novel to be recommended for its well-judged pleasantness. It is the tale of a refugee, of a man under a cloud who seeks asylum in a mellow Kentish town near Canterbury, and provincial life as it is lived today remote from industrialism is observed impartially. Mr. Gould succeeds with Shephard, the meek little man who runs the timber yard while its owner loafs; with the amiable squire; and with the waster whose suicide so nearly brings Foray to a murder charge. He succeeds, above all, with Foray in giving consistently the impression that here in this quiet town and not on the battlefield is a man facing fearful odds. This is a novel with a sound core of reality beneath a gentle surface.

Review by Frank Swinnerton in The Observer, 11 April, 1937.

A miscarriage of justice has occurred in the past of Mr. Foray, the, chief male character of Mercy Lane by Alan Gould; and it is Foray’s interest for the inhabitants of the Kentish town of Anderden that nothing at all is known to them of his past. He lodges in Mercy Lane and meets some of the social lights of the town; but only one of the Anderdenians recognises him. So life goes quietly on, and the expected love story develops, and the gossips are baffled, until there comes a moment of unprepared climax from which emerges the disagreeable truth of history. The moment is quickly past, for Mr. Gould’s object is not that of the Fat Boy in Pickwick and a book that promises in some of its earlier chapters to be subtle as well as quiet is muffled again in the undistinguished comfort of a happy ending.
Mr. Gould has an exceptional concern with plain, good people, and his portrayal of the Shepard family with which Foray lodges is admirable. He is not a sensationalist. He can excellently develop a character or a relationship by means of unemphatic and sometimes quite absorbing dialogue. But he has not shown in Mercy Lane knowledge of a primary condition of success in unadorned narrative. This condition is that either new, unexpected detail must persist to the last page or the narrative must subtly quicken to drama or greatly heightened emotion. Otherwise the reader’s anticipation, although in fact fulfilled, will be unsatisfied, and the effect of cumulative verisimilitude wasted. Having thought very highly of the first half of Mercy Lane, I found myself, though still curious as to the author’s future work, disappointed with the book’s development.

Photographs of Faversham taken in May 2009. Canning has altered some features of the town for his "Anderden" but retained many others.