With the last of the Smiler books, I have completed my readings of all thirteen Canning books published by Farrago, all of which are now available via audible.com and other outlets.
I have been engaged to record audionbook versions of all the Canning books released by Farrago Books. Made a start with the Minerva Club stories.
April 2018: Met Pete Duncan, MD of Farrago Books who has bought the rights to the pre-war and Smiler books and plans to republish them. I was able to provide him with scans of the texts, for which I was rewarded with a very pleasant lunch.
I gave a presentation at the Penzance Literary Festival on 9 July under the title "Victor Canning: resurrecting a reputation". The audience was small but appreciative.
“On completion of Great Catherine I was put forward for another film, an adaptation of a novel by Victor Canning, The Limbo Line. It was the story of a Russian ballerina who defects to the West, falls in love with the American hero and is hotly pursued across England and Europe by KGB agents. … I read for [the producers] in my newly acquired Russian accent—I had already secured the services of a Russian student to ensure that my accent was authentic—and was passed as competent by the choreographer who was in charge of the dance sequences. I secretly blessed the tortuous hours I had spent in ballet class. I was to perform the ‘Dance of the Little Swans’ from Swan Lake with members of the Royal Festival Ballet and had to be seen in the final moments of Stravinsky’s Firebird. … My leading man in the movie, Craig Stevens, was an American who had been very popular on American television in a series called Peter Gunn. He was married to the actress Alexis Smith, for whom Cole Porter had written Night and Day. Filming was to take place at Pinewood Studios with locations at Littlehampton, Marlow and Burnham Beeches, the last named being a favourite location spot for countless films. Craig Stevens turned out to be the most charming and urbane of men. I couldn’t have wished for better. Also in the film was Robert Urquhart, Vladek Sheybal and Moira Redmond. Moira and I immediately chummed up and had great fun. … I enjoyed making the film, but the producers made the mistake of giving it an unhappy ending, contrary to the author’s intentions. So, instead of wandering off into the sunset with the hero, the last shots of me were of being bundled into the hold of a Russian boat and taken back to the Soviet Union. The audience didn’t like the unconventional ending one bit and it was booed wherever it was shown. I have to say I agreed with them. I love happy endings. I think it gives one hope for the future and it’s partly why people go to the cinema, most particularly if it is a romantic adventure story. I suppose the audience felt cheated and I don't blame them.”
The production took place, in spite of several hitches and late cast
changes, and drew fairly good houses at our small Shaftesbury theatre.
Charles Collingwood and his wife attended the first night. Reviews were
mixed. I wonder when the next revival is going to happen.
(31 March 2012)
Victor Canning's 1940 stage play is to be revived by the Shaftesbury Arts Centre in October 2011 to celebrate the author's centenary. The script of this play seemed to be lost. The family did not have a copy. Curtis Brown, Victor Canning's agent, did not have a copy, nor did the theatre in which it had its only previous production. Eventually I tracked one down in the archive of the Lord Chamberlain, to which it had been sent for censorship, as all plays had to be until 1967. It turns out to be an accomplished and charming comedy about a group of beggars who are forced to take up a new profession. It is well worth a revival. After all, April 1940 was not the best date to launch your career as a playwright.
Rehearsals have started. Performances will take place at the Shaftesbury Arts Centre from 12 to 15 October 2011.
Sad to hear of the death at age 92 of Jean Tearle. Jean was Victor
Canning's younger sister, and a strong admirer and supporter of his
work. She was married to a market gardener in Hertfordshire, and
later took up a career as a Conservative Party agent, about which
she wrote a novel,
The Blue Rosette. After Victor's death in 1986 she undertook to complete the
manuscript of
Table Number Seven, the novel that he had left unfinished. Her contribution was
roughly the last quarter of the book along with the necessary
research, editing and polishing. She was a charming and entertaining
personality who will be much missed by her daughter and
grand-daughter, as well as friends and colleagues. |
BBC Mastermind Quiz: I took part in a round of this
quiz on 13th November 2009, taking "The Birdcage books of Victor Canning" as my specialist subject. Click on the chair to see the questions
that were set. (I only managed the first fourteen in the two minutes
and scored 12 points. See if you could have done better.) 20 November 2009 |